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LGBTQ+ Literary Magazines/Journals

Relevant to my interests, and possibly yours as well.

Trish Hopkinson

21-lgbtq-literary-magazines-journals Image courtesy of https://peculiarjournalblog.wordpress.com

The listings below are literary magazines/journals that specifically focus on the artists and writers in the LGBTQ+ community. There are many other literary magazines that support LGBTQ+ contributors. For a more general list of all-inclusive/feminist lit mags, check out my list here: Feminist Lit Mags and Journals.

These literary magazines/journals are listed alphabetically; some are currently accepting submissions, some are temporarily closed. I’ve also included whether or not it is a paying market in the notes column. These lit mags/journals also fit the following criteria:

  • Generally do not charge fees to submit (although some may charge fees for some types of submissions and for contests).
  • They accept poetry submissions.
  • All accept electronic submissions.

If you have suggestions for lit mags/journals I’ve missed, please contact me here or leave a comment below.

Lit Mag/Journal Notes Duotrope
About Magazine Accepts individual pieces and manuscripts for their publishing…

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How to Write a Poetry Cover Letter

Relevant to my interests. Perhaps also to yours. 🙂

The Watering Hole

We always get questions about cover letters and it’s only because of our work on both sides of the desk (poet and organizer) that we’ve began to understand this a little better. Yes, we work for The Watering Hole, but we have also worked for The South Carolina Review, Yemassee, among others. We’ve been through hundreds of cover letters. Hopefully, this will demystify them for you.

Cover letters change shape based on what you are applying for. Sometimes poetry submissions lay out exactly what they are looking for in a cover letter. Often they don’t. Always, check that organization’s guidelines.

In general for poetry retreats, residencies, and fellowships, the poetry is read first, then the editors make a shortlist of acceptances, after which the cover letters are read, and more cuts are made. However, for publication, the cover letters are only read a month after all…

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Queer Can Lit Newsflash: New Arsenal Pulp Press Books, Queer Canadian Books on 2017 Best Books Lists, and More!

SO MANY GOOD BOOOOOOOOOKS!!!

Casey the Canadian Lesbrarian

Is this December’s Queer Can Lit Newsflash or is it January’s?? Only time will tell! Here are some things that have been happening in Canadian LGBTQ2IA+ bookish world:

Vancouver’s Arsenal Pulp Press has some new books coming out in 2018, two of which are by two of my favourite authors: Amber Dawn and Casey Plett.

Plett’s novel is called Little Fish and it sounds AMAZING! You can read an early excerpt of the novel as a work in progress from Plenitude Magazine. Here’s the publisher’s description:

In this debut novel by the author of the Lambda Literary Award-winning story collection A Safe Girl to Love, Wendy Reimer is a thirty-year-old trans woman in Winnipeg who comes across evidence that her late grandfather–a devout Mennonite farmer–might have been transgender himself. At first she dismisses this revelation, having other problems at hand, but as she and her friends struggle to cope…

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INTERVIEW WITH AMELINDA BÉRUBÉ

Go read this interview with YA author Amelinda Berube!

Amelia Denyven Ross

This summer I participated in Pitch Wars—a competitive author mentorship program, which concludes with an agent showcase—and I was fortunate enough to work with Amelinda Bérubé as my mentor. Amelinda has a flair for crafting creepy stories and characters that will haunt your memory. She was kind enough to discuss a little about her writing process with me.

What is your favorite stage of writing, and why? Research? Brainstorming? First drafts? Revising?

Revising, absolutely. It’s so much less excruciating when the words are out there on the page and all you have to do is make them better! Research is a close second, though; it never fails to get me excited and lit up about a project, no matter how frustrated or stuck I am.

Are you a plotter, pantster, or both? Or does it vary throughout the creative process?

I’m an unhappy hybrid of the two, I think. Plantser?…

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iskwew

This is a lovely poem by Samantha Nock. Go forth and check her out.

my kokum used to tell me:

“if you wear your shoes on the wrong feet

a bear will eat you.”

when i moved to the city

my kokum cried

because cities have never been kind to us

and there are threats bigger than

bears chasing a toddler

with her left shoe on her right foot.

she calls me to say:

“don’t leave your drink unattended”

“don’t walk alone at night, my girl”

she taught me how to knead bannock

and how to say the lords prayer

she showed me where she saw

hungry spirits at the lake

she taught me how to say “i love you” in our way

she taught me how to

be scared of the dark

when you’re a lone woman

walking from the bus stop to

your front door.

my mother taught me

that no man is anything to you

and that you can pick up…

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WE WON’T BECOME SEA FOAM IN THIS ONE by SHIRLEY WANG

Just… Just go read this poem by Shirley Wang. ❤

VAGABOND CITY

your hair’s wet because we went night swimming
the mothlight furring my forehead
together and pulsing with the spectral heave of the moon
these tides knowing me the way i know myself
pensive and cold and slick along the insides.
hoarse siren song and the fuzzy swan-curve of my neck
the waves carving me into the rind of your back
the shell of something once living hot in your mouth
sunbathing in the dark, smashing sea glass with so much
care and wearing it in the dips of our fishbone bodies
drinking warm soda with our flapping caved-in lungs,
kissing the water and capsizing in our own holiness
sheeted over with salt, dissonant with our hands,
pruned and pink and tender from years on the sand
conscious that i love you like a skin-psych
these rough and seismic things only making us softer.

__

Shirley Wang is a Chinese poet…

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Poem – Shiver

Originally posted this on Syrens, but figured I should stick it up here as well. 😉

syrens

My skin is
hungry flutter in
my chest
aching for touch
smooth my hands over
thighs
hips
neck
cheek
fingers trace the line
of lip and collarbone craving
hot shower
hot chocolate
burn my tongue on the absence
of a lover’s mouth
lonely body
longing for all that
heat
enough
to make me
shiver

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Femme representation (pet peeves & recommendations)

As someone who writes femme/femme, this is still relevant to my interests.

Teile des Ganzen

Recently, Corey Alexander wrote a great series of tweets about butch representation (especially in fiction) and what kinds of butches and butchness are overrepresented and which ones could use a lot more representation. (Aside from the fact that butches/butchness in general could use a lot more representation, of course. See this Twitter thread and this blog post from Corey for more on that.)

Their thread inspired me to write a list of my own femme representation pet peeves (not just in fiction) as a companion to that thread. And since I’m bad at being brief, I’m making this into a blog post.

Before we start: A few words on my perspective and use of language

I’m writing this as a butch-loving femme who actually enjoys and eroticizes many of the more stereotypical representations of butch/femme dynamics. Nevertheless, many of these representations still miss the mark for me, usually in nuances…

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#26: Maintaining Story Momentum

Notes to self… (Go check out this piece from Story Nurse).

Story Hospital

Dear Story Nurse,

You mentioned in #22, Passion Projects and Practice Projects, that you felt plotting was one of your weak points. I wondered if you had any anecdotes on how you work to overcome this and any advice for the bare bones of creating a plot that keeps moving?

I’ve been told that my writing is best when it focuses on characters and my most successful stories have been tight 1,000 word flash fiction competitions with a time limit of a weekend. I seem to be able to craft memorable moments and interactions pretty solidly. When it comes to working on bigger projects I tend to get stuck because I don’t know how to turn a solid character-based idea or series of moments into a plot that moves along.

It’s not that I don’t have ideas for plots, and I have two longer stories I’ve stalled at. One is…

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#14: Where Do Characters Come From?

This was awesome. So is the whole blog.
Go take a look. (And also support the creator’s patreon). 😀

Story Hospital

Dear Story Nurse,

A recurring problem I encounter in my writing across the board is that I’ll come up with very cool ideas for worlds and settings, but then become completely stumped with inventing characters and stories for them.

I’d hazard that part of this problem stems from the fact that I come from a fanfiction writing background where characters are pre-supplied, though I’ve been working on original stories for several years now. I’ve got no problem worldbuilding, either in an already-extant canon nor an original world of my own.

When I have a story idea come to me already with characters and rudimentary plot, I’m fine—the problem only shows up when I have a world but no story, and then I find myself stumped, brain running in circles as I try to force a plot to happen. I sometimes feel like I’m just picking random plots out of a…

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