Just… Just go read this poem by Shirley Wang. ❤
your hair’s wet because we went night swimming
the mothlight furring my forehead
together and pulsing with the spectral heave of the moon
these tides knowing me the way i know myself
pensive and cold and slick along the insides.
hoarse siren song and the fuzzy swan-curve of my neck
the waves carving me into the rind of your back
the shell of something once living hot in your mouth
sunbathing in the dark, smashing sea glass with so much
care and wearing it in the dips of our fishbone bodies
drinking warm soda with our flapping caved-in lungs,
kissing the water and capsizing in our own holiness
sheeted over with salt, dissonant with our hands,
pruned and pink and tender from years on the sand
conscious that i love you like a skin-psych
these rough and seismic things only making us softer.
Shirley Wang is a Chinese poet…
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Originally posted this on Syrens, but figured I should stick it up here as well. 😉
My skin is
hungry flutter in
aching for touch
smooth my hands over
fingers trace the line
of lip and collarbone craving
burn my tongue on the absence
of a lover’s mouth
longing for all that
to make me
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As someone who writes femme/femme, this is still relevant to my interests.
Teile des Ganzen
Recently, Corey Alexander wrote a great series of tweets about butch representation (especially in fiction) and what kinds of butches and butchness are overrepresented and which ones could use a lot more representation. (Aside from the fact that butches/butchness in general could use a lot more representation, of course. See this Twitter thread and this blog post from Corey for more on that.)
Their thread inspired me to write a list of my own femme representation pet peeves (not just in fiction) as a companion to that thread. And since I’m bad at being brief, I’m making this into a blog post.
Before we start: A few words on my perspective and use of language
I’m writing this as a butch-loving femme who actually enjoys and eroticizes many of the more stereotypical representations of butch/femme dynamics. Nevertheless, many of these representations still miss the mark for me, usually in nuances…
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Notes to self… (Go check out this piece from Story Nurse).
Dear Story Nurse,
You mentioned in #22, Passion Projects and Practice Projects, that you felt plotting was one of your weak points. I wondered if you had any anecdotes on how you work to overcome this and any advice for the bare bones of creating a plot that keeps moving?
I’ve been told that my writing is best when it focuses on characters and my most successful stories have been tight 1,000 word flash fiction competitions with a time limit of a weekend. I seem to be able to craft memorable moments and interactions pretty solidly. When it comes to working on bigger projects I tend to get stuck because I don’t know how to turn a solid character-based idea or series of moments into a plot that moves along.
It’s not that I don’t have ideas for plots, and I have two longer stories I’ve stalled at. One is…
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